The circus is in town! Come join in the fun as Caldecott Medalist Peter Spier creates a circus like no other, in this exuberant celebration of the wonders of the big top. "A treat!" -- Kirkus Reviews "This premier illustrator offers a glorious new treat....children will undoubtedly want to pore over it." -- School Library Journal

The circus is in town! Come join in the fun as Caldecott Medalist Peter Spier creates a circus like no other, in this exuberant celebration of the wonders of the big top. "A treat!" -- Kirkus Reviews "This premier illustrator offers a glorious new treat....children will undoubtedly want to pore over it." -- School Library Journal

Caldecott-winning illustrator Peter Spier presents clowns, jugglers, acrobats, elephants, dogs--and even a hippopotamus--that appear under the big top. Full color.

Caldecott-winning illustrator Peter Spier presents clowns, jugglers, acrobats, elephants, dogs--and even a hippopotamus--that appear under the big top. Full color.

彼得·史比尔 1927年出生于荷兰阿姆斯特丹，1950年移民美国，曾从事广告业，后投身于图画书的创作。他为儿童创作了30多本图画书，擅长以铅笔、墨水和水彩作画，明快流畅，许多作品都非常注重细节和历史的考据，满足各年龄层读者多重、无穷的乐趣。 其作品《诺亚方舟》（Noah’s Ark）获得了1978年“凯迪克奖”和“克里斯多佛奖”，《在寒冷的夜晚狐狸出走了》（The Fox Went Out Out a Chilly Night）获得了“波士顿全球号角奖”。

彼得·史比尔 1927年出生于荷兰阿姆斯特丹，1950年移民美国，曾从事广告业，后投身于图画书的创作。他为儿童创作了30多本图画书，擅长以铅笔、墨水和水彩作画，明快流畅，许多作品都非常注重细节和历史的考据，满足各年龄层读者多重、无穷的乐趣。 其作品《诺亚方舟》（Noah’s Ark）获得了1978年“凯迪克奖”和“克里斯多佛奖”，《在寒冷的夜晚狐狸出走了》（The Fox Went Out Out a Chilly Night）获得了“波士顿全球号角奖”。

◎年輕無極限，人生如樂園，CIRCUS瘋狂企畫，完整、高調大放送！ ◎「理論與實踐」　十二大絕頂KUSO特調計畫，攻佔城市最冷感地帶！ ◎最新課題：超時空，無極限KUSO大亂逗→→年度瘋狂推出！！

One of the world's most influential photographers, Bruce Davidson, takes readers inside three midcentury big tops in images that are poetic, realistic and profound. He reveals not only the swiftly vanishing cultural phenomenon of the circus, but what might be called the eternal human circus. At a three-ring show in 1958 he climbed to the top of the tent to view the performances...(展开全部)

One of the world's most influential photographers, Bruce Davidson, takes readers inside three midcentury big tops in images that are poetic, realistic and profound. He reveals not only the swiftly vanishing cultural phenomenon of the circus, but what might be called the eternal human circus. At a three-ring show in 1958 he climbed to the top of the tent to view the performances...(展开全部)

Purple crayon in hand, Harold draws a tightrope and falls into a circus [where he has many adventures].As in the previous books, the dauntless Harold is resourceful and loveable." SLJ.